Oil on panel
cm. 32x40. Framed
This painting takes up a subject particularly dear to the followers of Caravaggio in a reduced format and on an unusual support such as the panel. The figurative references are the Roman Angelo Caroselli and his Lucchese pupil Pietro Paolini, both much freer and more autonomous than the more orthodox current of international Caravaggism.
This painting takes up a subject particularly dear to the followers of Caravaggio in a reduced format and on an unusual support such as the panel. The figurative references are the Roman Angelo Caroselli and his Lucchese pupil Pietro Paolini, both much freer and more autonomous than the more orthodox current of international Caravaggism.
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